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How and why Twitter corrections happen

Eric Carvin, social media editor Associated Press

With just a couple clicks, an erroneous tweet can evaporate.

If you spell a restaurant’s name wrong or quote a song lyric incorrectly on your personal account, it’s easy to quickly wash that bad tweet away and start again — no big deal.

News organizations and journalists tweeting on the job, however, don’t have that luxury.

Instead, editors say that news media must approach Twitter with the same ethical and accountability standards as anything else they produce. And that means owning — and promptly correcting — errors.

For Cassandra Garrison, social media and live-news editor at Thomson Reuters, correcting bad tweets is about transparency.

Cassandra Garrison, Thompson Reuters

“We feel strongly that we must correct ourselves quickly and openly, when it needs to be done,” she said. “We don’t believe that an incorrect tweet should just be deleted without any further comment. To us, that would be a lack of accountability.”

Eric Carvin, social media editor for Associated Press, agreed. “We need to make sure that when a mistake is made that it’s corrected and there’s transparency,” he said.

All of this is important, Garrison and Carvin contend, because Twitter has become a powerful resource for news outlets to push out their stories and break news.

“In the last 10 years, [Twitter] has really taken off as a consistent place for people to turn in urgent situations when they are in need of instant info,” Garrison said. “This makes it a perfect place for journalists and news orgs to have a space to communicate with their followers. It’s also when we see our biggest spikes on Reuters accounts — in times of breaking news when we are fastest with the information.”

Carvin said Twitter is a fast and immediate way to reach news audiences.

“Social [media] is a direct-to-customer experience,” he said.

At Reuters, Garrison said the Procedure is multi-layered.

“[We] issue another tweet announcing the correction [and] send it in the format which quotes the incorrect tweet so our followers can see what we are correcting for context. [Then, we] issue another tweet, this time quoting the correction, with the language: ‘Please see our correction. We will be deleting our incorrect tweet,’” she said.

“A few minutes later, we delete the original incorrect tweet. We will [retweet] the correction on all accounts that the incorrect tweet was shared through. This has been the most efficient way we have found to deal with corrections in the fast-moving world of Twitter.”

AP has a similar policy.

After the call is made by editors to correct a tweet, “we delete the tweet and immediately follow up with another tweet that explains that we deleted the earlier one and why,” Carvin said.

“And that notes that, in most cases, the replacement tweet is coming — and the wording of that is carefully approved internally. Then, we immediately follow up with the replacement tweet which does what the first tweet should have done.”

Just like with news stories, Twitter corrections can run the gamut from errors in quotes and incorrect figures to location clarifications and mislabeled photo attributions.

And that’s why Twitter corrections are handled with the same importance as any other correction.

“When we make a mistake, we must own it. We would do damage to our reputation if we were to cover our errors and not acknowledge them,” Garrison said. “In a climate where the media is constantly under the microscope, it is more important than ever to be transparent, especially on social media where millions of people around the world connect with our news instantly.”

“Accuracy is our bread and butter,” Carvin said. “We want people to walk away with the right information.”

Interviewing LaVar Ball (sometimes) is an ethical imperative

Have the Los Angeles Lakers players stopped responding to their head coach?

LaVar Ball, the outspoken father of the team’s rookie point guard, thinks so. Last weekend, he told an ESPN reporter that Lakers Head Coach Luke Walton “doesn’t have control of the team no more. They don’t want to play for him.” Nonsense, say other coaches around the NBA, who are defending the 37-year-old coach.

Going further than just defending a colleague, however, many have blasted ESPN for treating Ball’s statements as newsworthy.  As Dallas Mavericks Head Coach and National Basketball Coaches Association President Rick Carlisle said:

I view the recent ESPN article as a disgrace, quite honestly … Luke Walton is a terrific young coach who is bringing along a young team. And it’s a difficult task. If you don’t believe it, just ask me.

Carlisle has won more than 700 NBA games as a coach and has an NBA championship. He surely has forgotten more about basketball than most of us will ever know. He is an authority on the sport. The fight that Carlisle, his contemporaries and coaches-turned broadcasters like Jeff Van Gundy, who now calls games for ESPN and who called the report a “cheap shot,” want to set up is defining who else has the authority to comment on NBA matters.  And LaVar Ball, they are saying, should not be on that list. This is not their decision to make.

The debate over whether to interview LaVar Ball is a proxy fight over the independence of sports journalism.

If you do not know LaVar Ball, then you probably do not pay much attention to basketball. He rose to prominence through a combination of the force of his personality, his business dealings, the basketball talents of his sons and proximity to two of the world’s most glamorous basketball brands (UCLA and the Lakers). His willingness to say anything and criticize anyone (up to and including the President) has helped him build a media presence. He has used this platform to clash with the shoe companies and the NCAA. And he is not shy about his positions on his son’s teams.

Ball very likely seeks to convert this attention into profit for his nascent business empire. And drive for attention has created significant backlash, with important basketball names like Kareem Abdul-Jabbar and Charles Barkley speaking out against him. Speaking on ESPN in October, Michael Wilbon called the attention ESPN gives to Ball “editorial malpractice.” To be sure, Wilbon is correct that it is not necessary to cover every outrageous statement Ball makes. But the attacks on ESPN (even those coming from inside the building) over this story are trying to rule LaVar Ball out of bounds as a source for reporters, something the Lakers have been trying to do for months. According to at least one report, coaches asked media relations staffs to pull the credentials of reporters who talked to Ball. Threats to curtail access in response to coverage choices is not exactly a new technique of media management.

In sports reporting, fights over sourcing are really debates over journalistic independence.

American professional sports leagues all have media access rules that seek to both invite and limit coverage. This system of media access ensures that basically anyone with a credential could work through official channels to write a story about a game. Game information like statistics is easily available and players are coaches are required to talk to the media at specific intervals. Event driven coverage constitutes the bulk of the sports page, and this sort of reporting treats the team’s on-court fortunes as inherently newsworthy. These rules define a source universe and it is possible to generally fill a daily report working with just those people. If you do not believe me, look at the work of in-house sports reporters, the people who write for team websites. Outsiders – agents, angry parents, law enforcement – tend not to be represented. Here is what Lakers.com turns up when you search “LaVar”:

In this system of media access, coaches are constructed as authoritative sources. On an NBA game day, a head coach may hold three separate media sessions. Postgame, coaches often speak before players enter the locker room to be interviewed, which means a coach’s comments and analysis tend to structure the questions players receive. In this way, they influence deadline reporting that comprises the vast majority of sports coverage. None of that takes into account the internal pressures on those in the locker room not to say the wrong thing.

Most sports journalists will tell you they do not care who wins. They will say things like they root for their story or against overtime. This dispassion may alienate audiences, many of whom cannot relate to reporters who claim to not care who wins when they root so ardently. But not caring about results is a boundary sports journalists build between themselves and fans. But we should not mistake dispassion for independence.

Within sports journalism, independence means reaching beyond the media apparatus the leagues have set up and developing sources of information beyond what the NBA has laid out for credentialed reporters. The journalistic judgement comes in knowing when a source is worth talking to and that source has nothing of value to add. In the case of the comments that set off this discussion, the newsworthiness is obvious. LaVar Ball is in a position to have some knowledge of the inner workings of the Lakers’ locker room and he put his name on his criticism. Now it is completely possible that Ball was wrong. Kyle Kuzma, another talented Lakers rookie, stood up for Walton on Monday. The Lakers are 3-0 since the ESPN report appeared – including a win over the San Antonio Spurs.

Golden State Warriors Head Coach Steve Kerr has suggested the media’s fascination with LaVar Ball reflects a decline in journalistic and societal standards represented by the network’s recent layoffs. And certainly the coverage of Ball has gone too far at times. But in attempting to cut off LaVar Ball’s media coverage, NBA coaches are asking reporters to stick within a system that buttresses their own authority rather than seek outside voices that may undercut it.

It is absolutely fair to question whether LaVar Ball’s perspective is newsworthy on many topics. Every sports journalist should consider that before putting a microphone in Ball’s face. But sometimes the answer is yes.

Michael Mirer is assistant professor of journalism at Fairmont State University. He studies sports media and journalism ethics and worked for seven years as a sports reporter.

Kaiser reflects on what he’s learned about journalism ethics

Marty Kaiser has spent a lot of time in newsrooms.

 

His interest in journalism began as a child and he  chased it through college before joining the Chicago Sun-Times and the Baltimore Sun.

 

His longest tenure, however, was as editor of the Milwaukee Journal Sentinel, where he spent 18 years before retiring in 2015. During his time there, he led reporters to three Pulitzer Prizes and dozens of other national awards.

 

Now, he’s a media consultant and senior fellow at the Democracy Fund. He also sits on the board of directors of the Wisconsin Center for Investigative Reporting and on the advisory boards of the UW-Madison Center for Journalism Ethics, the New England Center for Investigative Reporting and Marquette University’s O’Brien Fellowship.

 

For his decades-long devotion to newspapers and the pursuit of truth, he was honored Nov. 16 as the 50th inductee to the Wisconsin Newspaper Association’s Hall of Fame.

 

What are the most memorable moments of your career?

 

Kaiser: It’s always about the people you work with. I never felt I was the smartest or best in the room but I was able to put good people together and got to work with them. The best journalists are always curious and asking questions and want to expose things, so I figured if I could surround myself with those people — because I wasn’t the best reporter or writer — it would be great.

 

What are some early ethical issues you encountered?

 

Kaiser: I think something everyone goes through is understanding relationships with sources when you’re working on stories. What’s the motivation of the source? Why are they telling you things? I love the old line ‘If your mother says she loves you, check it out.’ Because you can really get caught up in the beginning when [a source] is telling you things and you’re getting great stuff and you’re close to them. But you need to ask why they’re telling you things and how can you find other perspectives to share about what’s going on.

 

And then also there’s dealing with anonymous sources and what the rules are for when someone says to you, ‘Let’s go off the record’ — does that mean I can use this? Is it just on background? And have you pressed them hard enough [to stay on the record]?

 

Also, there’s the point where you have to be understanding of those who don’t deal with the press often. Do they understand what’s going on because you have to protect victims? A big part of journalism is minimizing harm.

 

What are the common ethical challenges journalists face today?

 

Kaiser: Being careful about conflicts of interest: What are the personal relationships [reporters] have with people they cover? And what what you’ve got to remember and keep remembering over and over is what journalism is about. It’s about truth. It’s about verification. Ethics has to encourage humility and understanding.

 

How have journalism ethics changed over the years?

 

Kaiser: I think a lot about the growth of talk radio, which isn’t based on the need for verification but it’s based on an opinion and then going out to find some facts that support that opinion. It’s not saying ‘Hey, I have some questions. Let’s see where the truth leads me.’ And now, this has spilled into cable television where there’s so little reporting — they’re always talking about other people’s reporting or talking heads who have no firsthand knowledge and have done no reporting. They’re only on to promote some industry or political party. Journalists have to be independent and free from political parties, independent from the people they cover. This has all really blurred the line of what is journalism. I think a lot of these people have done a tremendous disservice to democracy. Essentially, those people are entertainers. It’s all about ratings and entertainment. They blur the line. There’s also the growth of nonprofit journalism and the importance of transparency. Some of these groups completely hide where their money is coming from.

 

How has technology impacted journalism and journalism ethics?

 

Kaiser: We now have the urge to to publish first and get it out there. I can remember when there would be discussions about how we would cover something and lots of discussion about how were were going to collect the information and how we were going to cover something and how it was going to be written. Going over who are the stakeholders. Who are we going to speak to? But now, there’s this rush to get stuff online [and] it’s a detriment. But, we can’t blame technology for that.

 

Another part is that local news organizations are continuing to get smaller and a big part of that is that Facebook and Google has sucked away the advertising. Now, there’s not as many copy editors and people to say, ‘Hey, why are we writing this? Why are we doing this?’

 

Another thing that really bothers me is on Twitter when a major news organization will tweet out a quote from someone prominent but there’s no context to it. There’s no view from the other side, there’s no reporting on it. You’d never just put a quote like that in a newspaper without adding some context to it. That doesn’t mean you shouldn’t report it. It just means you’ve got to put it in context and understand it.

 

What are the ethical issues that editors face?

 

Kaiser: You’ve really got to think like the reader. And also, some of the toughest ethical questions are ‘Do we have enough and are we ready to publish this?’ The reputation of the news organization could be on the line. There’s nothing wrong with walking through the process and being as skeptical as possible. What do we have? Where did we get it? Why do we have it? Then also asking how many sources you have on a story as well.

 

What’s your advice for new journalists?

 

Kaiser: Have lots of discussions with your colleagues. I always thought the best newsrooms were where they were talking about journalism and where it was open for reporters to ask questions. Think about the people you’re covering and the motives behind what they’re doing. Always come back to your curiousity. And ask your sources who else you should be talking to. Every journalist has to have a personal conscience. Understand that you have to be accountable and transparent in the work that you do.

 

If an ethical error is made, what should be done?

 

Kaiser: Make a correction as quickly as possible. Talk to the people involved in it. Show your transparency. Human beings are flawed. We’re going to make mistakes. I used to talk to readers constantly and, most times, they would understand if you had an honest conversation with them. Tell them that you made a mistake and how it happened.

Reconsidering objective journalism without becoming partisan

Mark Sappenfield, editor at the The Christian Science Monitor, and Christa Case Bryant, the Monitor’s heartland correspondent, said journalists need to reconsider objectivity as a goal of journalism without falling into partisan journalism.

“The goal of all nonpartisan journalism is the get the fullest picture possible,” Sappenfield said.

But, Bryant said, objectivity simply isn’t possible.

“I don’t think it’s possible to ever have one article that is totally objective, “ she said.

Sappenfield and Bryant discussed nonpartisan journalism Saturday in a community discussion held at the Concord House on the University of Wisconsin-Madison campus, as part of a national conversation that challenges the idea that journalists can be completely objective.

Bryant said the decisions that go into reporting and writing any one story are complex and numerous.

“Whose quote is going to lead the article? And which one [comes at the end and] is that zinger quote that the reader is left with? Are you going to use adverbs and adjectives? And if you do, are they going to be sort of neutral-ish or are they going to be one side or the other? And even if you think it’s neutral, is someone else going to read it that way?”

Christa Case Bryant, left, and Mark Sappenfield of The Christian Science Monitor discuss objective journalism at the Concord House.

She pointed to articles she wrote years ago about SodaStream, an Israeli company that then operated a factory inside a West Bank settlement.

“I think it can be fair, but I don’t think it can be objective because everything from do you decide if you’re going to report what SodaStream’s factory looks like from inside the factory or outside the factory? Are you going to do it from the Israeli perspective or the Palestinian perspective? From a business perspective or a social perspective?

Further, the decisions journalists make about language blur objectivity.

“There’s just no way, with a human language, to do something that’s mechanically objective,” she said.

Instead, she said, journalists can be deliberative and thoughtful about the issues and angles they choose to report.

“Imagine that one of your readers from the left and one from the right comes along with you to do the reporting. And then, when you put the article together, will they say ‘Yes, that is representative of what I heard in the interviews.’ That’s what I feel is the best we can accomplish at this point.”

Sappenfield said recognizing the difficulty or impossibility of objectivity does not mean abandoning facts or one-sided reporting.

“You have to go with courage where the facts lead you … but you also have to genuinely embrace and respect everyone and seek out their viewpoints,” Sappenfield told the small crowd. “In other words, you’re not going to arrive at the truth and true facts, if you’re not going to just pound away at one side. You have to look at it from all other perspectives – and then you’re going to arrive at the best truth.”

Journalists can serve the public audience by telling multiple perspectives and interrogating the facts.

“Like in science, once you think you’ve proven something, you then try to disprove it from all the different sides. So, to me, the job of the journalist is to go where the facts lead them and then try and disprove that from as many different sides as possible and that lets you center in on what you think is the actual issue.”

Sappenfield that judging the fairness and accuracy of journalism should be at by examining a body of work rather than individual stories.

“In order to tell a story, you have to tell it from one side … but I would be constantly telling myself that I don’t want to tell the story just from that one perspective. What are some other angles can I look at this conflict from?”

Therefore, the importance of following up on issues and new developments is paramount, he said.

“The fairness comes in the totality of the work, not in the individual story.”

Rethinking objectivity in progressive communities: A Q&A with Sue Robinson

Sue Robinson

Sue Robinson has navigated media ethics in a couple of different ways.

First, as a reporter for more than a decade and now as a UW-Madison journalism professor researching how journalists use new communication technologies to report on public affairs, she’s encountered quite a few unique ethical issues. And now, she’s working to find solutions.

To that end, her first book, “Networked News, Racial Divides: How Power & Privilege Shape Progressive Communities” will be released Oct. 30 (available for pre-order here). The book examines how digital platforms enable and constrain citizens – especially those in marginalized communities – who produce and share information in the public sphere about racial achievement disparities in the K-12 education system.

More specifically, her years-long research for the book includes “drawing on network analysis of community dialogues, interviews with journalists, politicians, activists, and citizens and deep case study of five cities” to examine “the institutional, cultural, and other problematic realities of amplifying voices of all people while also recommending strategies to move forward and build trust.”

 Robinson sat down to talk about media ethics and the book:

 

Q: What comes to mind when you consider journalism ethics?

I spend a lot of time thinking about objectivity. When you talk about objectivity, you’re talking about a main pillar of ethics. So, I spend a lot of time deconstructing what that means. [UW-Madison Prof.] Katy Culver and I wrote a piece (“When White reporters cover race: News media, objectivity and community (dis)trust”) that came out recently [that] was basically suggesting that we re-approach what we mean by ‘objectivity’ and re-think the ethical parameters of we put in place in newsrooms.

[For instance,] the whole idea that you treat everyone the same [and] as coming from the same background and having the same understandings of how information exchange happens in public spaces is unethical. So, when I talk about journalism ethics, I try to problematize that – I think about how we’ve thought about it traditionally and how is that problematic in real life.

One of the things [journalists] talk about is holding people accountable for the things they say by using their name. And so, when people don’t give their name, they can’t be credible. So, [the journalist] may use that person’s information as background, but their voice doesn’t get heard because they’re not willing to put themselves out there [by providing their name]. My argument is that not everyone can put themselves out there in the same way [because] there are power dynamics that are happening that are very real for these people, even if it means that it’s not necessarily life-threatening or freedom-threatening. There are some very real cultural, political and economical repercussions for whole groups of people and that we might reconsider how we document those voices.

[For instance], if you’re talking to the mayor – an older white man who’s used to talking to the press – there are standards to that. If he tells us something, we’re going to use his name, we’re going to put him in the paper. But, let’s say we find out about a family whose teenage son is having problems with a school district because he’s a special needs kid and he’s trying to transition to the halfway program that they have but there are a lot of problems with that program. [His parents] want to talk about those problems in hopes of making people aware that there’s an issue here in the school district, but they don’t want to go on the record because they’re afraid that people will consider that [the parents] have been problems. So, their kid is going to suffer for that [and] there may be ramifications there. They’re afraid as people of color, so that automatically adds an additional layer of complication to their lives. So, I’m suggesting that it’s an ethical obligation to differentiate between that older white male and person in power who’s used to talking to the press and someone who’s not and may have other, very real cultural reasons for not wanting to have their name in the newspaper.

 

Q: Do you have a name for this reconsideration of objectivity? And, how do you put it into practice?

We call it ‘active objectivity.’ The term “active objectivity”  comes from the scholarship that we are adopting. It’s an understanding of the way a journalist traditionally practices objectivity in a very passive way. [For instance, the journalist says] ‘You don’t want to give us your name? Fine, but we’re not going to necessarily be proactive about getting those voices into the newspaper if you’re not going to abide by our traditional tenets.’ Rather, we’re suggesting that the very premise of objectivity is to be balanced and fair in a way that appreciates all of the context that’s happening within that dialogue that we’re trying to get started.

Particularly when we’re talking about marginalized groups. One of my suggestions is that we talk to them about how we might amplify that voice in a way that gets the issues out there that works for them. Having those more collaborative, grassroots conversations.

 

Q: Your first book is coming out soon. What’s it about?

It’s called “Networked News, Racial Divides: How Power and Privilege Shape Public Discourse in Progressive Communities.” I originally wanted to document how a local community’s information ecology was being reconstituted by social media. I was particularly interested in how power dynamics affected that reconstitution, like whose voices were getting heard and whose voices were not getting heard even though we have these wonderful social media platforms that are supposed to amplify all voices.

So, that’s where we started in 2010, documenting all the media [reports] in Madison on the K-12 racial achievement racial disparities [in education] because it was a big topic in Madison and there was a lot of news around it and it was going to let me get at those power dynamics within an information ecology.

Right around that time, Madison Prep, the charter school that the Urban League of Greater Madison had proposed that was supposed to educate black boys and girls was [being considered].

So, I started documenting that conversation and started collecting actual data in September 2011 until September 2012 because that allowed me to get at the heart of the dialogue of the Madison Prep debate, Then the vote [on the creation of the school by the school board] was December 2011 and it also allowed me to get all of the post[-vote] reaction.

 It happened in a lot of different phases. Four phases, which included capturing everything about that topic on social media and the news to understand how that conversation was happening, by whom and where – the public conversation. We did a bunch of network analyses around looking at who were the top influencers in that conversation and who were they talking to, who they were citing and how did information flow. So, that’s the first part of the book.

 

Q: What’s the next part?

Then, we interviewed people – about 65 people in Madison who were involved in that conversation, asking them about the challenges of that conversation, what were some of the strategies for how [they] overcame those challenges in public talk.

We then added four other cities [Ann Arbor, Michigan; Cambridge, Massachusetts; Evanston, Illinois. and Chapel Hill, North Carolina] that were the same size as Madison and had the same K-12 racial achievement disparities. All of these cities had these huge civil-rights histories and these progressive ideologies that were steamrolling the conversations. I started realizing that it was about this progressive ideology and these long histories that these cities had that made these information flows act in the way that they were.

So, we interviewed people there and analyzed content and it all came out looking at how progressive ideology was really hijacking these conversations in a way that shut down real, true dialogue. [Residents of these cities] were all very loquacious about these issues. There were a lot of forums. There was a lot of media and a lot of blogs and a lot of Facebook posts about the various [educational] achievement disparities and the different proposals they were trying do or racial incidents in the schools.

 

Q: Who is the book for?

It’s for white progressives. And I say that in the book. Because I’m a white progressive and the book ended up being as much of a personal journey as it was a detached, research journey. I started having to do all of this social justice training myself to understand what I was looking at. In the course of that, I realized how many times I was stumbling, how many assumptions I was making, both in my position as a researcher and as someone in the power hierarchy and just as a citizen. 

I started realizing, ‘Oh, I have a lot of work to do myself and my own racial journey to go on’ that I didn’t even know existed. I didn’t even know there was such a thing as ‘my race,’ in terms of a racial journey. That, I felt like, was a metaphor for what I thought these progressive cities, which were dominated by several white power hierarchies needed to go through as well. It’s sort of like a ‘Here’s how we can do that and here’s what to expect on that path.’

The last chapter is really dedicated to recommendations. I interviewed 10 international experts on how to have these conversations, how to have these conversations with yourself. But also how to interact in these communities with those conversations. Thinking about your progressive identity. Because the minute you start talking about [kindergarten] through 12th [grade] school systems we built to be equitable in a progressive understanding – all of these cities [we studied] have always been progressive and they have built these systems with the idea that they would be reformed from what the rest of the country would be like. We were supposed to have solved these problems and yet these are the places that have had the worst disparities in the country.

So, how do we have that conversation when you’re really talking about your progressive identity?

 

Q: Where do you see this book having the most value?

The biggest part of all of this for me was turning all of the findings into actionable white papers. It’s all centered around community dialogue and how can we talk about this in a productive way that doesn’t keep us just going around in circles.

 

Q: What were the big ethical hurdles?

It’s about public communication so journalism is a huge part of that, but it’s all the systems, all the institutions, the institution of education and politics, particularly progressive politics.

So, whenever you’re talking about institutions like those that have long histories of oppression, you’re going to be dealing with trying to work to change [and] to disrupt, [which] means coming up against ethical policies that have been enacted for long decades.

These are policies that have been deliberated upon for decades and decades. So, what I’m suggesting is that maybe those ethical principles are not being as aware or as accommodating to groups of people who have been oppressed within those systems.

Four members join advisory board

MADISON, Wisconsin – Four members, three alumni from the School of Journalism and Mass Communication, have joined the advisory board of the University of Wisconsin-Madison Center for Journalism Ethics. Since its founding nine years ago, the board has contributed to the direction and growth of the Center while giving it direct connections to news and media industries.

 

The new board members are:

  • James Causey

    James E. Causey. Causey is an award-winning editorial columnist, special projects reporter and contributing editor for the Milwaukee Journal Sentinel. He has spent more than 25 years as a professional journalist since becoming  at age 15 the first African-American high school intern at the Milwaukee Sentinel. He holds a bachelor’s in journalism and an MBA from Cardinal Stritch University. In 2008, Causey received a Nieman Fellowship from Harvard University. During his time there, he studied the effects of hip-hop music on urban youth. After returning from his fellowship at Harvard, Milwaukee Inner-city Congregations Allied for Hope-MICAH, recognized his work on the mass incarceration crisis affecting black men. Causey also received a National Association of Black Journalists award in 2014 for his business piece, Buying Black. Causey is an active member of NABJ, former president of the Wisconsin Black Media Association, and member of Phi Beta Sigma Inc. He was also awarded the 2013 Morse-Marshall High School alumni of the year. Causey was a Scripps Howard Award finalist in 2013.

 

Katie Harbath

Katie Harbath (BA 2003). Harbath leads the politics and government outreach and economic growth policy teams at Facebook as a global programs director. She was the chief digital strategist at the National Republican Senatorial Committee. She previously led digital strategy in positions at DCI Group, the Rudy Giuliani for President campaign and the Republican National Committee. In 2014 Politico named Katie one of the top 50 people to watch and in 2009 she was named a Rising Star by Campaigns and Elections magazine.

 

  • Phil Haslanger

    Phil Haslanger (BA 1971 & MA 1973). Haslanger worked at The Capital Times from 1973 to 2008 as a reporter, city editor, editorial page editor and managing editor. He was part of the team that launched madison.com in 1995. During his time on the editorial page, he served as president in 2002 of what was then the National Conference of Editorial Writers. More recently, he was on the board of the Religion News Service and served as president in 2016. During the 2000s, he began exploring a career in ministry and was ordained in 2007 as a minister in the United Church of Christ. He served as a pastor at Memorial UCC in Fitchburg until retiring earlier this year.

     

  • Carrie Johnson

    Carrie Johnson (MA 1996). Johnson is a  justice correspondent for the Washington desk of National Public Radio. She covers a wide variety of stories about justice issues, law enforcement and legal affairs for NPR’s flagship programs Morning Edition and All Things Considered. Prior to NPR, Johnson worked at the Washington Post for 10 years, when she closely observed the FBI, the Justice Department and criminal trials of the former leaders of Enron, HealthSouth and Tyco. Earlier in her career, she wrote about courts for the weekly publication Legal Times. Her work has been honored with awards from the Robert F. Kennedy Center for Justice and Human Rights, the Society for Professional Journalists and the Society of American Business Editors and Writers. She has been a finalist for the Loeb award for financial journalism and for the Pulitzer Prize in breaking news for team coverage of the massacre at Fort Hood, Texas.

 

The new board members will join returning board members Kathy Bissen, Jim Burgess, Rick Fetherston, Peter Fox, Ellen Foley, Jill Giesler, Marty Kaiser, Carol Toussaint, Owen Ullmann and Dave Zweifel.

 

The board will convene this month with Jack Mitchell, a longtime board member and a professor emeritus in the School of Journalism and Mass Communication, in his first year the Center’s board chair.

 

The Center also sends deep thanks to board members Tom Bier, Scott Cohn, John Smalley and Rich Vitkus, who wrapped up their terms of service. These four members contributed many years of service to the Center, seeing it through the transitions of two new directors and significant growth.

 

The Center for Journalism Ethics, housed in the School of Journalism and Mass Communication at the University of Wisconsin-Madison, provides an international hub for the examination of the role of professional and personal ethics in the pursuit of fair, accurate and principled journalism. Founded in 2008, the Center offers resources for journalists, educators, students and the public, including internationally recognized annual conferences exploring key issues in journalism.

 

For information, contact Megan Duncan, project assistant, at megan.duncan [at] wisc.edu.

Making the call: Determining when to call a political statement a lie

Tom Beaumont is a national political reporter at the Associated Press. Beaumont answered some questions by phone about the ethical issues in reporting in an ever-changing, fast-paced news cycle.

This interview was edited for clarity and length.

 

What journalistic practices, if any, should journalists do differently?

The one thing that frustrates me a lot is what I see an apparent disregard for regular journalistic standards in social media. I’m just talking about Twitter since that’s the only platform I’m on. I just keep it as spotless as I can because they’re watching, and they don’t need any more ammunition to indict the press. I am careful in how I reduce a headline to 140 characters. It’s gotta be clean, not just because it’s the right journalistic standard, but because I also represent the AP, which is not Salon. It’s not Slate. It’s not anything that has much of a voice except for the voice of authority. And it’s got to be authoritative. And it can’t crack. I don’t know if this is because the AP is kind of like the team that doesn’t have names on the back of its jerseys. That’s kind of what I like about the AP, we’re about the stories. We’re just about pounding the nail and driving the story.

I don’t know what it’s like for the coming generation of journalists, but I want them to watch themselves really closely, but without that impartiality, that’s when the fourth estate begins to decline or declines more rapidly.

 

How do you think journalists have done covering [President Donald] Trump’s Twitter feed and if anything, what should change about the coverage of it?

The AP’s White House team now has somebody up early every day checking that thing. Since the campaign we knew that he would get up early and opine on something, so we’ve been on that for over two years now. And because they come from the President of the United States’ account, they are presidential pronouncements. They drive the day. It’s unbelievable. This isn’t an editorial comment; it’s just a statement of fact. The House was getting ready to unveil tax legislation. The Senate was down to its last strike on health care. North Korea was threatening war, and Trump spent four consecutive days arguing on Twitter about the NFL’s role in observing the flag and the national anthem. The contrast to what he’s saying and what the policy is just needs to be pointed out, and that’s not an editorial statement, that’s just factual context. That’s remarkable.

 

How does the non-stop news cycle affect your coverage of government?

Trump has rewritten the book so to speak on political speech for this chapter and [former President Barack] Obama to an extent had rewritten political speech in a different way for the decade prior. It doesn’t change how the AP and how I as a member of the AP work because we’ve been a 24-hour news cycle since before cable. I haven’t been with the AP but for six years, but it’s a 24-hour cycle. We’re constantly updating. So in that way I think a lot of other print media have been catching up to the AP for the last several years.

 

How should we handle remarks and tweets that some deem racist or indicative of white supremacy?

I don’t feel it’s appropriate for me to label him a white supremacist. We can say what he said. We can say he defended the actions of people affiliated with the group. But I don’t think that that’s even correct. It’s the same question of watching your words like you do on Twitter. If you report it accurately, people can argue with it. But if it’s defensible from the standpoint of objectivity, then you got nothing to worry about.

If you say the President first said there were bad actors on both sides of the Charlottesville clash, then that would be accurate. You could say that then he came out and denounced white supremacists, that too would be accurate. You could continue to say that he first came out against white supremacists, you can make the point that others are making by taking a shortcut by not taking the shortcut.

 

Some would say that using the term “lie” can hinder objectivity. What do you think of that?

The case in point was throughout the campaign, as in 2015 I was the reporter covering Jeb Bush. As the Republican campaign began, we could see how the other candidates were reacting to [Trump]. And it felt to me at one point to write more about the allegation that President Obama was not a natural born U.S. citizen because at one point Jeb Bush took issue with that statement with Trump. As it happens, when you’re kind of on the run, people pick something up and kind of run with it for a while. When I was writing about this, we, as a political team, came to the agreement that it was OK to call that a lie because it had been reported by us repeatedly. There was evidence provided by the White House that President Obama coughed up his birth certificate and yet Trump continued to say or alleged that the President was not a natural born U.S. citizen. It is a constitutional requirement of holding the office. That’s such a heavy accusation to make about a sitting president that once it’s proven to be false and he continues to say it, we would say, Trump continued to promote the lie that the President was not born in the United States.

That’s a long way of explaining the thought process, but it’s not just something that you fire from the hip. That’s an example of something that’s serious, that was proven to be false over and over and that he continued to promote. We came to the decision that that was OK to call it a lie because he had to have been aware that the evidence was there proving it otherwise.

 

Do you have this process with a lot of his statements or a lot of his tweets?

We, like a lot of news outlets, have what they call fact-checking teams. That term kind of annoys me because aren’t all stories supposed to be fact checked in real time? Isn’t that the burden of reporting to not just say, ‘He said x. She said y.’ ? But the AP does the math and puts a line of context in there to say which one has the evidence. We have dispatched a team of really good reporters and editors whose job now it is to constantly do that with Trump’s allegations because the factually questionable things that he offers are so frequent that it requires a team of a reporter and an editor, a couple of reporters and an editor to hound that stuff.

 

How much do you rely on confidential sources and what are some of the complications with using confidential sources in your reporting?

I think the chief complication is that I don’t know what the criteria are for other news agencies. I know what the criteria are for the AP. I trust it because I know when I’ve reported something and I know when others’ have reported something that we discuss, without disclosing too many company secrets, we don’t publish anything until we feel as an organization, that means we as an editorial leadership, everyone right up the chain, are cool with it.

But I don’t know how it moves within other newsrooms. I know that when we have it, it’s solid, and when it’s not, it’s not. I watch our AP news app all the time for corrections because it’s like  errors in a baseball game. You just can’t have the turnovers, to mix my sports metaphors. So I’m good with us, but we’re not in a vacuum. So if CNN is reporting something and The New York Times is reporting something and there’s an explosive denial from the White House, I don’t know what they’ve got. If it comes from the AP, I know who our team is and I trust them pretty implicitly. Like I said, the AP is like a 150 years old or something like that and you don’t get to be the world’s only global news outlet by trading falsehoods and reporting a lot of sketchy information.

 

What is the role of the journalist today?

I’ll tell you what I think the role of the political journalist is, and that is to drive the story forward of this revolution in politics that’s going on. This revolution of money. This revolution of speech, of reported information. When people are comparing Breitbart and the AP on the same platform that tells me that we have our work cut out for us because there is an entire segment of the population that sees them as the same – one abides by the journalistic principles that you and I are talking about, like fairness, context and I don’t know how it works inside the other one. But people have come to the same conclusion. I have to check my perception of reality all the time because you get into a lane and you start to see certain things in a certain way and you have to step outside that lane and make sure that you’re not going over the same ground. I have to continually remind myself that simply because I’ve reported something once, it doesn’t mean it’s true again.

Sometimes I think political journalism falls victim to groupthink and that’s dangerous. You’ve got to get outside that and look at things from different perspectives. That seems like Journalism 101.

Technology complicates ethics of natural disaster reporting

More than a decade after covering Hurricane Katrina for The (New Orleans) Times-Picayune, John Pope, a member of the team that won two Pultizer Prizes, remembers how live-blogging, a relatively new media technology at the time, improved his publication’s coverage of the storm.

 

“The beauty of blogging is that you don’t need a fully formed story,” Pope said.

 

During the storm, NOLA.com became a place where millions of people went to read about Katrina’s impact and its aftermath. Stories were continuously updated. And a community bulletin board was created to allow people who needed help in New Orleans to post their location and ask for assistance.

 

“When you go live, you have to realize that you can’t take it back. What comes in the lens is what goes out the pipe,” Tompkins said. “You may see things you may not have wanted to see or show things you didn’t intend for people to see.”

But developments in technology in the years since have continued to change how reporters cover disasters. In turn, reporters are tasked with making new, difficult ethical decisions.

 

Al Tompkins, of The Poynter Institute, notes the ease a publication can produce content in real time has drastically improved since Katrina.

 

“It’s so much easier to go live from anywhere then it was 10 or 15 years ago,” Tompkins said.

 

Tompkins, though, warns that just because reporters can go live from almost anywhere, publications shouldn’t put their writers at physical risk.

 

Additionally, more fast-paced digital coverage means reporters have to be even more accurate with what they report in the field. On television, increased live access means networks have to be even more aware of what they show on screen.

 

“When you go live, you have to realize that you can’t take it back. What comes in the lens is what goes out the pipe,” Tompkins said. “You may see things you may not have wanted to see or show things you didn’t intend for people to see.”

 

Social media also complicated natural disaster coverage. While journalists are now able to communicate with their audiences more efficiently, reporters feel pressure to get information out without compromising accuracy.

 

“With a tweet or a blog, you get something out quickly,” Pope, now a contributing writer for the Times-Picayune, said. “But you better be sure that it’s right.”

 

Online audiences are also playing a role in spreading unverified content, sometimes meant as pranks. The Verge and CNN analyzed why people create and share fake storm-related content, suggesting that people’s confirmation bias can often time explain why a fake storm picture goes viral.

 

“Don’t let the intensity of the moment rob you of your common sense,” Pope said.

Various technological tools, however, can reduce the chance of sharing fake disaster images:

Still, even with improved technologies and additional ethical concerns, many of the same principles of disaster reporting that existed prior to digital technology remain important.

 

Tompkins said that a newsrooms have an ethical responsibility to continue long term reporting on storms, and thoroughly cover their aftermath. Stories about people falsifying charitable fundraisers or grant applications and city waste are common story themes published in the wake of disasters. Though Tompkins also said that journalists shouldn’t just look for stories that are negative.

 

“It’s important to do that to show that this was a terrible thing that happened,” Tompkins said. “But people really are resilient and sometimes people are there very best when things are at their very worst.”

 

Pope added that empathy, especially while reporting in real-time, is essential. But more than anything, Pope said that remembering to be inquisitive, yet fair when reporting on the scene is of the utmost importance.

 

“Don’t let the intensity of the moment rob you of your common sense,” Pope said. “Ask questions. Be sure of what you’re saying, verify what you’re saying. If you think it may be the biggest flood since Noah, get someone to tell you so, don’t just go on your own supposition.”

 

Kim’s research might shine the light into the “dark” political advertisements

Young Mie Kim, associate professor in the School of Journalism and Mass Communication, founded Project DATA to study how political campaigns use digital media and data to reach an audience.

 

Before Facebook, Twitter and Google fell under scrutiny from congressional committees about the ways Russians may have used the platforms to target voters with news and advertisements before the 2016 Election, Kim started studying the way campaigns use data and digital media to reach out to people and its new aspects and implications for the functioning of democracy.

 

 

Q: What is Project DATA?

 

Kim: DATA is an acronym for Digital Advertising Tracking and Analysis, and we define advertising really broadly as any messages that are designed for political purpose anticipated by a digital platform. A lot of digital advertising is not just based on sponsored ads, which are conventional, but you can also just create native advertising that looks like a regular news feed. It’s sort of like propaganda, but I almost don’t want to use that term because it has a negative connotation, so that’s why we use advertising. I do want to emphasize how broadly we’re defining advertising in order to better understand digital media campaigns because with a lot of digital media, there’s a blurred distinction between paid advertisements and non-paid, PR type advertisements.

 

Q: So what are the different steps that have gone into the project?

 

Kim: The major research question that we have is “How do campaigns use data?” We’ve learned that what campaigns have been doing is microtargeting. Microtargeting is targeting people at the very individual level. For example, let’s compare digital advertising to TV advertising. With TV advertising, you usually buy TV time based on the TV market. First, you specify the market, then buy the TV time, then customize messages to the market. Now with digital media, you can actually target individuals. Now we have data and we have data analytics techniques so we can combine public data with commercial marketing data, augment it all and predict who is likely or unlikely to vote for a specific candidate. Now, at this point, campaigns are able to target each and every individual in the United States. It’s really amazing.

 

So, the project is designed to see to what extent political campaigns are involved in these practices and what the means are for people forming attitudes toward candidates and their engagement in politics. Microtargeting means the advertisement is designed for you only, and you’re the only one that is exposed to a specific message. It’s really hard for researchers to track digital advertisements. So, that’s one thing we wanted to know, and we realized there’s really no good way to observe that.

 

So, we developed an app that automatically tracked your ad exposure. If we did surveys, for example, people won’t necessarily remember all of the ads they watched. So as a participant, you just install this program and it runs in the background and captures all of the ad messages during your participation. Then, we analyze the data, ask participants about demographics, political leaning and political engagement levels and track people’s candidate preferences over time. Later, we’ll link survey responses with exposure so we know what kind of messages are sent to what kind of people, and to what extent messages are customized. We also track the sources of the advertisements. You can lie about who you are at the source, or you can refuse to reveal your identity, but we track the links and track it back to the sources.

 

Q: When did you begin this project?

 

Kim: We collected the data during the 2016 primary elections, but that was small scale to test to see if it works. For the general election study, we had 10,000 volunteers that completed a baseline survey and used the app for about four weeks. 1200 people also filled out weekly follow-up surveys. We did it up until Election Day and compared it to their ad exposure patterns.

 

The same campaign can promise two different things to two different people. You can’t do that in public, but you can do it online.

Q: What does this project mean for the ethics of journalism? Are there ethical concerns that have come up or might come up?

 

Kim: There are so many ethical implications. Where to start? One thing is misinformation like fake news or Russian collusion with the campaign. These are all issues that can happen online.

Digital advertisements happen at an individual level so no one else but you knows what people are doing behind the scenes. The same campaign can promise two different things to two different people. You can’t do that in public, but you can do it online. Unless people share what they received with researchers, journalists can’t monitor this process. We’ve found specific organizations are just lying about the other candidates.

 

We have found three important things so far.

 

  1. Campaigns are an important source of political information because you can compare candidates. But since campaigns only target certain types of people, some aren’t getting any info from political campaigns at all. Some think certain segments of the population aren’t as important as others.
  2. Data campaigns use data biases. Younger voters and minority voters are not getting political information as much as their counterparts because some of the data that campaigns use is voter registration. New immigrants have a short history, and so do younger voters. Since these campaigns don’t have a lot of data, they have poor predictive models and these people are not getting enough information.
  3. Voters themselves have a responsibility, so people that don’t seek out political information won’t get any. That means campaigns won’t get any data, which creates a vicious cycle and only reinforces existing gaps in terms of political information. The gap continues to widen. Some that get political information aren’t even necessarily getting the right information either.

 

Hispanics and Asians are spending as much time online as white people, but aren’t getting as many politicized ads since campaigns have a lot of data about white people. In past campaigns, they also aren’t seen as important as white people. [President Donald] Trump heavily criticized minority voters and knew they weren’t going to vote for him anyway. Some people are considered to be important. Usually these are the swing voters that are interested in politics but aren’t as satisfied with their political candidates or parties.

 

For example, white, rural, blue-collar people may be interested in politics but have low trust in the government. Campaigns can send them a lot of negative information about the other candidate. Many campaigns now are targeting the opposing party for voters that don’t like their candidate, and send out negative attack ads. Like Democrats who didn’t like Hillary [Clinton].

 

People who don’t have access to digital media or mobile phones or people who [are lower] income are going to be excluded in every aspect of life because everything will be based on data. Misrepresentation and unintended data discrimination is going to be a huge issue…

Q: What are the next steps for the project?

 

K: Good question. It has a lot of policy implications, so do we need to put more regulations on it? These aren’t easy issues, but if we pin down what exactly causes these problems with misinformation and discrimination and privacy issues, we can make a specific policy. Another thing is expanding this project. If you think about prevalence of data in the future, it will determine a lot of things. We can use the same data for other decision-making like marketing. People who don’t have access to digital media or mobile phones or people who [are lower] income are going to be excluded in every aspect of life because everything will be based on data. Misrepresentation and unintended data discrimination is going to be a huge issue, so that’s something we’re trying to investigate more. We want to discuss the implications beyond the election, but to do that we need to have a better understanding of this and microtargeting practices in a political context.

The ethical decisions behind telling the story of heroin

The Cincinnati Enquirer’s Seven Days project took an immersive dive into the heroin epidemic and increasing toll of overdoes. The sometimes graphic and often gripping reporting captured the national attention. Because the stories it told got up close with videos, images, families with children and deeply personal moments, the series involved a lot of ethical decision making.

 

Editor Peter Bhatia explained why the issue warranted a 20-page special section and 30-minute video. The paper assigned more than four dozen reporters and photographers across the metro area to document the heavy burden of heroin.

 

Dan Horn, one of two reporters who assembled the feeds of the reports, said the most challenging aspect of the story was balancing the need to show the reality of the epidemic without inflicting more pain on the people who are already suffering.

 

Horn addressed some of those ethical decisions.

 

Q: Can you tell me how you went about getting consent from victims and those under the influence to be interviewed and recorded? What types of decisions did you make before hitting the streets about how you would approach victims of addiction to be in the story? What was the process of editing like as you tried balanced the rights of people to privacy about a medical issue with having the impact the story does?

 

Horn: One of the most challenging aspects of this story was balancing the need to show this epidemic as it really is with the desire to not inflict more pain on people who already are suffering. We talked a great deal about this. My colleague, Terry DeMio, wrote the story with me and has covered the heroin epidemic for years. When we spoke to the staff before reporting began, she spoke at length about the need to respect the people we’re covering. She urged everyone not to refer to them as “addicts” and not to assume the worst about them even though we may be seeing them at their worst. It was important for everyone to understand that these are people – mothers, fathers, sons, daughters, parents. They aren’t just addicts. This was a message we also tried to reinforce throughout the story whenever possible. It’s also true, however, that you can’t accurately cover this epidemic without being honest with readers and viewers about what’s happening every day in the community. That was the point of the project, to show people what the heroin epidemic does, every day, every hour. To that end, we knew we’d have to show some ugly things. People who appeared in court or had overdosed on the street or had been arrested typically required no formal consent, though we did our best to follow up through records or interviews. Some people agreed to speak to us after we observed them in public spaces. Others did not. Some who we approached outside of courts or police ride-alongs agreed to speak to us and to even be photographed, but only if we used their first names. Others gave us full access without conditions. Hospitals, treatment centers and the like required the same type of consent we would need for any other story.

 

This was supposed to be a scene that gave readers some hope and a break from the rough stuff they’d been seeing in most of the other scenes. But 10 days after we interviewed and photographed her, the young mom relapsed and died of a heroin overdose.

 

Q: How was the editing process handled? What ethical dilemmas were the hardest decisions? Did the story go through approval by lawyers?

 

Horn: The editing process followed a similar path. We dug into all the raw reporting, photos and video and tried to make decisions that would help us tell the story without being gratuitous. Obviously, we had to make some tough calls. At times, we did consult with our lawyers. As for the hardest decisions, one that comes to mind is the handling of the story about the young mother we profiled at Children’s Hospital. She had been drug-free for a year and was living in a treatment center with her infant daughter. This was supposed to be a scene that gave readers some hope and a break from the rough stuff they’d been seeing in most of the other scenes. But 10 days after we interviewed and photographed her, the young mom relapsed and died of a heroin overdose. The reporter and photographer who had met with her were heartbroken. They reached out to the woman’s family a few days later and talked about what happened. They also talked about how we might handle this scene in the story. Should we drop it? Or keep it with a short epilogue acknowledging what had happened? We all agreed we couldn’t publish as is in our real-time narrative with no acknowledgment of her death. The family made the decision easier. They said we should include the scene. They thought it might help people better understand the tragedy of the epidemic.

 

Q: How did you make the decision to show the faces of children who were born addicted to heroin or to homes with those living with addiction? What principles did you consider?

 

Horn: Names and faces of children were only used with the consent of their parents or other legal guardians. We felt it was important to include the stories of children because the heroin epidemic has taken such a toll on them. In just the week we covered, dozens of children’s services cases were opened because of heroin-related issues.

 

Q: What ethical dilemmas did reporters and photographers face when they went into situations like homes and hospitals? How did reporters and photographers approach victims for consent?

 

Horn: We talked a lot about this before reporters launched on their assignments, but ultimately we all were guided by the common sense and decency we try to bring to any story we cover. The goal was to be fair and to treat people with respect. At the same time, we knew we would be covering some people on their worst days – heroin is destroying their lives, after all – and that we’d need to include material showing what those days are like. That’s the balancing act this story required. We tried our best to get it right.